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If you happen to have overlooked a few tiny areas, Photoshop’s “History Brush” tool can help you save the day. You will not be able to go back to the same workspace in Fluid Mask 3 once this is done (unless you undo all your changes and star over), so it’s best to make sure you are satisfied with the mask while still working within the plugin window.
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Clicking File > Save and Apply or the usual shortcut “Ctrl +S” on the PC will finalize the isolation and close the plugin, taking you back to Photoshop. You can always switch back to rge normal workspace by hitting “Workspace” tab at the top. Hit “Create Cut Out” on the left hand toolbar to create the isolation. Painting over troubled areas with “Blend Exact Tool” (blue pencil) will help you smooth out the outlines and fix hard to reach places, such as gaps and edges that are only a few pixels wide.
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You can improve your selection by painting outside the software generated edges with the “Exact Keep” & “Exact Delete” brushes.

Remember to hit apply to let the software analyze the image again with new settings. For example, lowering edge width threshold, slightly increasing the number of edges and setting edge contrast to high works really well for this image of a stuffed bunny toy.

Playing around with the “Edge Finding” options on the right hand side can yield much better results on 2 nd or 3 rd try. It has to be also said that default plugin settings will not always find the right edges. Mastering these blend lines will help you achieve perfect isolation.Īs with any isolation job using traditional Photoshop tools or 3 rd party plugins, for best results you must use as higher resolution image as possible. The blue outlines in between keep and delete areas are what make this product unique, they are blend areas that create smooth edges around the outline of the subject. The basic idea is that you will paint in the areas you want to keep with green and mask in red. You will also notice a set of red and green brushes on the left hand tools menu. The application will immediately start analyzing the workspace for edges. This will open a brand new application window with your Photoshop image already loaded into it. Once installed, you can launch the plugin by opening any image in Photoshop, then going to “ Filters” menu and selecting Vertus > Fluid Mask 3.
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This entry was posted in Video tutorials (VTCs) and tagged Adobe Photoshop CS2, Adobe Photoshop CS3, Color Range, fluid mask pro 3, mask pro 4, Quick Mask by Administrator. Mask Pro 4 is a product of onOne Software. Please read Terms of Use for Guests before watching any of the video tutorials.įluid Mask 3 is a produce of Heligon, Ltd (Vertus).Īdobe Photoshop CS3 is a product of Adobe Systems Incorporated.
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Fluid Mask version: Fluid Mask 3.0.2 Mac.Adobe Photoshop version: Adobe Photoshop CS 3 10.0.1 Mac.The original graphic image used in these videos comes from Photo PD In all these videos, we attempt to remove navy blue sky from the image. Finally, the third video doesn’t involve any of the plug-ins mentioned above, and we use Photoshop’s Color Range along with Quick Mask to remove unwanted pixels. In fact, we reviewed this product yesterday. It’s also a Photoshop (or Photoshop Elements) plug-in. The second video involves onOne Software’s Mask Pro 4.1.

We use its Photoshop plug-in to isolate important pixels from unnecessary ones. Fluid Mask 3 comes as a Photoshop plug-in and also as a standalone application. In the first video, we use Vertus’ Fluid Mask 3. They merely show basic workflows of respective applications mostly without audio commentary. Note that these Quick Overview videos are not necessarily video tutorials. In the following 3 Quick Overview videos, we compare the masking functions of Fluid Mask 3, Mask Pro 4 and Photoshop’s Color Range. Whatever you have and no matter how you do it, you will lose some important pixels in the course of removing background colors. Removing background is never easy whether you use Adobe Fireworks, Adobe Photoshop, Graphic Converter or whatever.
